cyan.frusaglie

lumor: © 2005-2009 ludmilla morais. all rights reserved. lumor: © 2005-2009 ludmilla morais. all rights reserved.

lumor:

© 2005-2009 ludmilla morais. all rights reserved.

(via alican)(via alican)

(via alican)

Teatro degli Orroriph. MSCTeatro degli Orroriph. MSC

Teatro degli Orrori
ph. MSC

“Gli dissi: ma ti pare, Giusé, che devi andare a lavorare anche questo sabato? Mi rispose che erano pur sempre 16 euro in più in busta paga. Sedici euro.”

—Fiorella Coletti, moglie di Giuseppe, una delle vittime della Umbria Olii (via ultimo)

Charles Bukowski.

evycalifornication:

Caddi in uno dei miei patetici periodi di chiusura.
Spesso, con gli esseri umani, buoni e cattivi, i miei sensi semplicemente si staccano, si stancano: lascio perdere.
Sono educato. Faccio segno di si.
Fingo di capire, perché non voglio ferire nessuno.
Questa è la debolezza che mi ha procurato più guai. Cercando di essere gentile con gli altri spesso mi ritrovo con l’anima a fettucce, ridotta ad una specie di piatto di tagliatelle spirituali.
Non importa, il mio cervello si chiude.
Ascolto. Rispondo.
E sono troppo ottusi per rendersi conto che io non ci sono.

Fotogiornalismo o fiction? »

(via ultimo)

VREDESWEEK 2009, September 2009Poster design for the Vredesweek 2009. by StayniceVREDESWEEK 2009, September 2009Poster design for the Vredesweek 2009. by Staynice

VREDESWEEK 2009, September 2009
Poster design for the Vredesweek 2009.

by Staynice

Vintage Porn logos
via FontFeed

elyyy: thecellardoor elyyy: thecellardoor

elyyy:

thecellardoor

crushedbones:

Odio addormentarmi contro la mia stessa volontà.

via lookslikegooddesign

assaf: An illustrated guide to seven ways to kill an idea. assaf: An illustrated guide to seven ways to kill an idea.

assaf:

An illustrated guide to seven ways to kill an idea.

ph. Ulrich Görlichph. Ulrich Görlich

ph. Ulrich Görlich

Jane Birkinph. Laurence SudreJane Birkinph. Laurence Sudre

Jane Birkin
ph. Laurence Sudre

“It’s so easy it’s ridiculous. It’s so easy that I can’t even begin – I just don’t know where to start. After all, it’s just looking at things. We all do that. It’s simply a way of recording what you see – point the camera at it, and press a button. How hard is that? And what’s more, in this digital age, its free - doesn’t even cost you the price of film. It’s so simple and basic, it’s ridiculous.
It’s so difficult because it’s everywhere, every place, all the time, even right now. It’s the view of this pen in my hand as I write this, it’s an image of your hands holding this book, Drift your consciousness up and out of this text and see: it’s right there, across the room - there… and there. Then it’s gone. You didn’t photograph it, because you didn’t think it was worth it. And now it’s too late, that moment has evaporated. But another one has arrived, instantly. Now. Because life is flowing through and around us, rushing onwards and onwards, in every direction.”

—Paul Graham, from the 2009 Yale MFA Photography graduation book. (via alexjdsmith)